A seat becomes a space.
A chair establishes a relationship between the body and its surroundings. It shapes how we rest, orient ourselves, and occupy space. DÂ-NIYI considers how this individual act of sitting might become the beginning of a collective experience.
Drawing from the Nuna dâgalo chair tradition of Burkina Faso, DÂ-NIYI reinterprets its three-legged stance, deep recline, and elongated back in aluminum and white oak. The work engages the cultural and spatial intelligence of the original form without seeking to reproduce it.
A discreet connection system allows independent chairs to form pairs, gatherings, and circles—proposing a kind of courtyard without walls. The system remains in development.
Individual in form. Collective by design.